FRUIT
The sun is high.
Take a look.
But there's nothing higher
than the lisp you lend or weld.
Yes, I said "weld."
Actually, I meant "allergize" or "tea" or "me."
Take a look.
You'll see the sun swaying in the sky.
And I can see by your outfit, your
talons and your marching orders
that you are a hand-puppet.
Yes, I said "cowboy."
And, puppet that you are,
you've taken every penny
you've ever lived with
and called "heads" one
too many times.
Your life is segmented.
Take a look.
Look with your eyes open, not your teeth out.
And use your hands,
they're as palpable as that gust of probability
that laid you flat until your tallow exploded
and your entrails holed up.
Somewhere in the afternoon,
lit up like a log jam
on a coffee break,
there's quiet.
And what's more, I won't be quiet
and I won't make sense.
What I will do is bark incessantly.
Your nose knows this
and so does your bottle
of face-tightener.
Friday, October 31, 2003
Friday, October 24, 2003
Tell Them: Mice
In the aftermath of the window,
chilled by the persecution of the wind,
closed-in on by a God who's lost everything and forgotten all,
tightly-occupied by one of those control lab rats,
crumpled by smiles unseen,
clobbered by the Biblical,
betweened by a tweener,
trapped between the terrifying and the just plain empty,
blinded from death by air traffic controllers,
staggered by brutal and infinite messages,
despised by Hunger's foot,
cordoned off with difficult news,
passed over by withered passers-by,
beaten up by Mark Twain,
choke-holded by innocence,
discerned to be in the dell,
truncated by soccer players,
warmed-over by hamming-it-up,
trounced on by a busted heart,
flourished by a last ounce of flourish,
done in by the Dalai Lama,
diked by draconian architecture,
troubled and exalted by multi-hop attempts,
sub-humanned by robotic scum,
modeled by eyebrows,
ruined by driving 55,
torn by negation and Tender Vittles,
mouthed by the only seahorse in captivity,
towned by a country mouse,
blasted by CIA pre-war intelligence on Iraq,
slaughtered by the blue-eyed universe,
crushed by a half-ounce of surrealism,
mediated by chasm horror hideouts,
reflected and bounced by rental agreements,
dethroned by the gentle, aluminum rain,
bred by Heaven's Gate hooligans,
imprisoned by internal reflection,
renewed by ropes bearing ash and debris,
destroyed by heroic statues,
envied by how pure a thing whining is,
produced by rages of fog and rodent's teeth,
trifled with by swarms of spleens,
prepared like a picture of a plea,
pained by a slain happy face,
reduced to polishing couches,
repeated by polishing couches,
reamed by maze-ish girls,
burned by paper critics,
wakened by the white in the air,
generated by a woman who has left you,
desired by men in their graves,
killed by the fence and a mile of misfortune,
submerged by the assumption of fragrance,
glanced at by the completely detached,
assumed to be an elastic automaton,
retarded by broken glass pipe cleaners,
remembered as a Papa Smurf wannabe,
plucked from a vast sleep,
fabled to be on simmer,
sucked into what the rest obey,
clawed and handled by the sun-struck parchment,
kidded for being on a missing persons flyer,
picked to be among the living jaded,
shrunken by the notion that there is a god,
closed-in by the choice,
picked apart like a prize-fighter,
tracked by birds,
torn apart by a crinkly dress,
delivered with sunspots,
reminded of negation by despair,
mustard on my t-shirt,
I look up.
In the aftermath of the window,
chilled by the persecution of the wind,
closed-in on by a God who's lost everything and forgotten all,
tightly-occupied by one of those control lab rats,
crumpled by smiles unseen,
clobbered by the Biblical,
betweened by a tweener,
trapped between the terrifying and the just plain empty,
blinded from death by air traffic controllers,
staggered by brutal and infinite messages,
despised by Hunger's foot,
cordoned off with difficult news,
passed over by withered passers-by,
beaten up by Mark Twain,
choke-holded by innocence,
discerned to be in the dell,
truncated by soccer players,
warmed-over by hamming-it-up,
trounced on by a busted heart,
flourished by a last ounce of flourish,
done in by the Dalai Lama,
diked by draconian architecture,
troubled and exalted by multi-hop attempts,
sub-humanned by robotic scum,
modeled by eyebrows,
ruined by driving 55,
torn by negation and Tender Vittles,
mouthed by the only seahorse in captivity,
towned by a country mouse,
blasted by CIA pre-war intelligence on Iraq,
slaughtered by the blue-eyed universe,
crushed by a half-ounce of surrealism,
mediated by chasm horror hideouts,
reflected and bounced by rental agreements,
dethroned by the gentle, aluminum rain,
bred by Heaven's Gate hooligans,
imprisoned by internal reflection,
renewed by ropes bearing ash and debris,
destroyed by heroic statues,
envied by how pure a thing whining is,
produced by rages of fog and rodent's teeth,
trifled with by swarms of spleens,
prepared like a picture of a plea,
pained by a slain happy face,
reduced to polishing couches,
repeated by polishing couches,
reamed by maze-ish girls,
burned by paper critics,
wakened by the white in the air,
generated by a woman who has left you,
desired by men in their graves,
killed by the fence and a mile of misfortune,
submerged by the assumption of fragrance,
glanced at by the completely detached,
assumed to be an elastic automaton,
retarded by broken glass pipe cleaners,
remembered as a Papa Smurf wannabe,
plucked from a vast sleep,
fabled to be on simmer,
sucked into what the rest obey,
clawed and handled by the sun-struck parchment,
kidded for being on a missing persons flyer,
picked to be among the living jaded,
shrunken by the notion that there is a god,
closed-in by the choice,
picked apart like a prize-fighter,
tracked by birds,
torn apart by a crinkly dress,
delivered with sunspots,
reminded of negation by despair,
mustard on my t-shirt,
I look up.
Wednesday, October 22, 2003
acadqme cne
Do what you can when it's not quite win-win
and it's not quite hot-hot.
When it's jasper root pox zoink
my lava vamp adheres
here right up until tomorrow.
I'm not due pronto but I also did not bring diapers.
Right-o.
Have cane will freebase.
Just like my Uncle Wesley's yarn
ball which, as any kickboxer who boxes
will tell you, xenophobia slats suck.
Bring slaw verts instead and
don't get lost amid the interior zits.
Zits have boils and
xenophobic zits inflame.
For instructions on how to make roid-rage-panic
quit accessing your collective oscelot link and
click here.
Please dont send any more enter here
Do what you can when it's not quite win-win
and it's not quite hot-hot.
When it's jasper root pox zoink
my lava vamp adheres
here right up until tomorrow.
I'm not due pronto but I also did not bring diapers.
Right-o.
Have cane will freebase.
Just like my Uncle Wesley's yarn
ball which, as any kickboxer who boxes
will tell you, xenophobia slats suck.
Bring slaw verts instead and
don't get lost amid the interior zits.
Zits have boils and
xenophobic zits inflame.
For instructions on how to make roid-rage-panic
quit accessing your collective oscelot link and
click here.
Please dont send any more enter here
Tuesday, October 21, 2003
beatnik lent amanita
THE WORLD'S
MOST EFFECTIVE
PENIS PILL IS NOW
AVAILABLE
No more thanks
THE WORLD'S
MOST EFFECTIVE
PENIS PILL IS NOW
AVAILABLE
No more thanks
Monday, October 20, 2003
A THOUGHT SUGGESTED BY THE NEW DAY
The more we string, the more bosoms appear
At our tide's grassy speeding:
A day in the life of childhood seems a lingering
Acorn now, like so many passing joys.
The vapid bloom of our disorders,
Er, passions yet undiscovered,
Steals cave-worn, river-like sticks
From its rapidly-falling borders.
But as the cave-worn, cheek-growing wannabes
Always say, "Shafts fly thicker
Than water" and that measure is to man,
What seamy is to sand.
When watering the stem of love
At least have the crumbs
To, as we say here at the Fall of Laughter,
Feel your way around the slower-speeded curves.
It may be gum wrappers, yet who would change
Time's course to "Hard Tan"
When one can seemingly sweat for hours on end,
Our bosoms heaving under an artificial sun.
Blue goes swimming on the walls and falls,
snatching away the scene
Of those yutes where they play it
safe, indirect and flopping around.
The more we string, the more bosoms appear
At our tide's grassy speeding:
A day in the life of childhood seems a lingering
Acorn now, like so many passing joys.
The vapid bloom of our disorders,
Er, passions yet undiscovered,
Steals cave-worn, river-like sticks
From its rapidly-falling borders.
But as the cave-worn, cheek-growing wannabes
Always say, "Shafts fly thicker
Than water" and that measure is to man,
What seamy is to sand.
When watering the stem of love
At least have the crumbs
To, as we say here at the Fall of Laughter,
Feel your way around the slower-speeded curves.
It may be gum wrappers, yet who would change
Time's course to "Hard Tan"
When one can seemingly sweat for hours on end,
Our bosoms heaving under an artificial sun.
Blue goes swimming on the walls and falls,
snatching away the scene
Of those yutes where they play it
safe, indirect and flopping around.
Thursday, October 16, 2003
Yeah okay
Microsoft is right to try to make more money
with false pieces of paper that don't mean
anything to most patterns!
But they could at least create something useful
like an intelligence-gathering post
or another security patch.
Because we can put a man on Mars
but we can't quit uploading "I Love You" to fumigates!
I would have less headaches
if technicians and their under-ended
watches of paper would consider that
the future is near! This sounds pleasant
enough because the future doesn't have
to include any person with a conventional education.
If I bust my ass every day I don't want to be
labeled "Joe-Schmo," have my neurons counted
and fired and "Same to you, jackass!"
Microsoft is right to try to make more money
with false pieces of paper that don't mean
anything to most patterns!
But they could at least create something useful
like an intelligence-gathering post
or another security patch.
Because we can put a man on Mars
but we can't quit uploading "I Love You" to fumigates!
I would have less headaches
if technicians and their under-ended
watches of paper would consider that
the future is near! This sounds pleasant
enough because the future doesn't have
to include any person with a conventional education.
If I bust my ass every day I don't want to be
labeled "Joe-Schmo," have my neurons counted
and fired and "Same to you, jackass!"
Dig Us
Dig us in the morning and
Dig us on Christmas eve
Dig us when the sun is crowning in South Dakota
Dig us, point at us, braid our hair
The cold row of blown-out candles on the cake
Tells us something about our selves
Indicating him, indicating we, indicating them
You indicates us, and also me
She indicates thoughts and
Kneeling indicates steps and steeples
On the roofs, freely-indicating fire extinguishers
Indicate hollowed-out books
Their pages indicating the wind is pulling
Hard against the storm
Opened like me in a river
Singing "Stand By Your LEGO©"
Dig us in the morning and
Dig us on Christmas eve
Dig us when the sun is crowning in South Dakota
Dig us, point at us, braid our hair
The cold row of blown-out candles on the cake
Tells us something about our selves
Indicating him, indicating we, indicating them
You indicates us, and also me
She indicates thoughts and
Kneeling indicates steps and steeples
On the roofs, freely-indicating fire extinguishers
Indicate hollowed-out books
Their pages indicating the wind is pulling
Hard against the storm
Opened like me in a river
Singing "Stand By Your LEGO©"
Tuesday, October 14, 2003
To the factory
(for Bill Luoma)
To the rubies
to the declaration
to the return to spectacular
to the end.
This is the interruption
this is the vector
another part of
another possible world
where the ends of the circuits are eating
out of the necessity to be the one conserved.
The lock of no return cannot give return
cannot give a voice to your plan
to invert and illustrate the concept of silence.
Silence is a khaki-colored collection of points
where the helmet can suspend
or create
or ask for.
(for Bill Luoma)
To the rubies
to the declaration
to the return to spectacular
to the end.
This is the interruption
this is the vector
another part of
another possible world
where the ends of the circuits are eating
out of the necessity to be the one conserved.
The lock of no return cannot give return
cannot give a voice to your plan
to invert and illustrate the concept of silence.
Silence is a khaki-colored collection of points
where the helmet can suspend
or create
or ask for.
Monday, October 13, 2003
Takeshi Kitano Rules!
If someone asked me to retain only one
plan of the last fifteen I've come up with
I'd choose the Takeshi Kitano Plan.
The one where I dress-up in a black
ball-bearing costume and sunglasses
and stand motionless in an airport.
This plan it seems to me is perfectly
drawn up and realized.
This poem however does not
seem perfectly drawn up and realized.
I realize this and say what
Takeshi Kitano would say. He'd say
"I unload on the United States!"
The main difference between
Western art and Japanese art
is that I run around on the wheels of my car
and the Japanese run around on the wheels of my car.
If someone asked me to retain only one
plan of the last fifteen I've come up with
I'd choose the Takeshi Kitano Plan.
The one where I dress-up in a black
ball-bearing costume and sunglasses
and stand motionless in an airport.
This plan it seems to me is perfectly
drawn up and realized.
This poem however does not
seem perfectly drawn up and realized.
I realize this and say what
Takeshi Kitano would say. He'd say
"I unload on the United States!"
The main difference between
Western art and Japanese art
is that I run around on the wheels of my car
and the Japanese run around on the wheels of my car.
Friday, October 10, 2003
Of all possible jobs
I have to be a back-up
cashier in a Strip Restaurant.
My up-and-coming comedy career
is subject to a scientific study at the University
of Get Off My Cloud where Professor Jagger and
the memory of my late father fuse to form a cabaret
where I actually lie about every experience I've never had.
I have to be a back-up
cashier in a Strip Restaurant.
My up-and-coming comedy career
is subject to a scientific study at the University
of Get Off My Cloud where Professor Jagger and
the memory of my late father fuse to form a cabaret
where I actually lie about every experience I've never had.
warning: This man is wild
What does it mean to be versed in quilting dance and body language?
Occasionally only the grotesque is amusing
but in the long run a tragic main figure resting on itself
in its own absurdity and despair can catapult
these root experiences and a soul calmly planned
into a world of extreme internal cold weather.
result: Gangster romance with surreal impact
What does it mean to be versed in quilting dance and body language?
Occasionally only the grotesque is amusing
but in the long run a tragic main figure resting on itself
in its own absurdity and despair can catapult
these root experiences and a soul calmly planned
into a world of extreme internal cold weather.
result: Gangster romance with surreal impact
"Culture Fight" with Takeshi Kitano
Murder over murder
impressive pictures describe
sometimes so brutally
that watching hurts.
But at least by film corpse No. 30
one can hear the fingers they're counting on.
Murder over murder
impressive pictures describe
sometimes so brutally
that watching hurts.
But at least by film corpse No. 30
one can hear the fingers they're counting on.
Thursday, October 09, 2003
50XX
No one says "my" quite like "my" woman
not even "me" but if "I" say so "my" self "I'd" back-pedal
and say "my" love doesn't talk about love tangled
in vines or in rapidly-written, watery octets.
No one says "my" quite like "my" woman
not even "me" but if "I" say so "my" self "I'd" back-pedal
and say "my" love doesn't talk about love tangled
in vines or in rapidly-written, watery octets.
If you think you're a mattress
think again sour-puss.
You're just a mess of promises
and faint caresses.
Your voice is a mess and your promises...
Oh yeah, I already said that.
think again sour-puss.
You're just a mess of promises
and faint caresses.
Your voice is a mess and your promises...
Oh yeah, I already said that.
When ladders are illegal
only outlaws will have ladders.
That has been my experience, but
it's a kind of chauvinist- based experience
that's battened down the hatches and made me more timid
than after downing 3 cognacs with the Ponds Cold Cream heiress.
only outlaws will have ladders.
That has been my experience, but
it's a kind of chauvinist- based experience
that's battened down the hatches and made me more timid
than after downing 3 cognacs with the Ponds Cold Cream heiress.
About A Boy
Allen Ginsberg's FBI file could be the greatest pop-punk single of all time,
according to Senate Majority leader John Yau.
This is abstract techno,
stuttered and scraped through a ravenous bird
and the flesh of decomposing humans.
Charles Bernstein writes this kind of thing all the time
and it rarely applies like it does now,
a literary thriller that sold 28 million copies to junkies alone
for a dollar two ninety eight --
less ten.
It obviously didn't win awards for being subtle
and all my energy and talk about poor children,
wagging fingers and William Carlos Williams
bring lofty expectations that inevitably are
talked about from here to O. Henry,
except in cases when Viktor tells us
something about our selves,
our hobbies and nicknames perhaps.
You gotta ask your selves:
If the brightest minds on our planet could produce
such a terrifying weapon of mass destruction
what do you call it when two or more objects
are seen as a Sergio Leone movie?
That's right, you gots.
It's called THE ENTIRE POEM,
and not just the celebration of drive-by shootings
in my neighborhood because that's an enduring
comedy set against late-period, pop-construct Linda Vista
(in itself as prefabricated as any Britney Spears).
But I'm at the top of the heap with Allen Ginsberg
and our nerves talk about Frosty The Snowman.
Remember Arnold the pig? That's who I wanted to vote for,
but in a complex and not demagogic way.
The apples in the stereo require the uses of the cookies and
the fleshing out of the non-poet audience requires
the hard-boiling of that darling baroque fantasy About A Boy.
Allen Ginsberg's FBI file could be the greatest pop-punk single of all time,
according to Senate Majority leader John Yau.
This is abstract techno,
stuttered and scraped through a ravenous bird
and the flesh of decomposing humans.
Charles Bernstein writes this kind of thing all the time
and it rarely applies like it does now,
a literary thriller that sold 28 million copies to junkies alone
for a dollar two ninety eight --
less ten.
It obviously didn't win awards for being subtle
and all my energy and talk about poor children,
wagging fingers and William Carlos Williams
bring lofty expectations that inevitably are
talked about from here to O. Henry,
except in cases when Viktor tells us
something about our selves,
our hobbies and nicknames perhaps.
You gotta ask your selves:
If the brightest minds on our planet could produce
such a terrifying weapon of mass destruction
what do you call it when two or more objects
are seen as a Sergio Leone movie?
That's right, you gots.
It's called THE ENTIRE POEM,
and not just the celebration of drive-by shootings
in my neighborhood because that's an enduring
comedy set against late-period, pop-construct Linda Vista
(in itself as prefabricated as any Britney Spears).
But I'm at the top of the heap with Allen Ginsberg
and our nerves talk about Frosty The Snowman.
Remember Arnold the pig? That's who I wanted to vote for,
but in a complex and not demagogic way.
The apples in the stereo require the uses of the cookies and
the fleshing out of the non-poet audience requires
the hard-boiling of that darling baroque fantasy About A Boy.
Monday, October 06, 2003
Personally, I don't recognize any of this shit
Leo cheer or Leo yell.
Collette march slowly.
Bruce beam me up.
I am hurt.
Evan is only kidding.
Meadowlark is blue.
Baretta is barred from giving flowers to the manifold.
Leave them alone.
The beautiful model has no hospital bed.
Just checking with bat-eating man-in-the-street.
This vector or that vector.
Each speaks for peace but death goes on anyway.
Whose bright idea was this?
This gassing or questioning of tables.
This grief that you give me when you pull me by the hair,
the hushedness accelerating with each new tear
or tear.
These flowers may know they're heading nowhere.
These whitened teeth may have their careless stones.
But I don't have the desire
to explain any of this shit in terms that
your number-crunched disdain wouldn't disdain.
And do not call me,
I may be on hold.
And do not look down on me,
I've grown taller from grasping at the weeds
or weeds.
Leo cheer or Leo yell.
Collette march slowly.
Bruce beam me up.
I am hurt.
Evan is only kidding.
Meadowlark is blue.
Baretta is barred from giving flowers to the manifold.
Leave them alone.
The beautiful model has no hospital bed.
Just checking with bat-eating man-in-the-street.
This vector or that vector.
Each speaks for peace but death goes on anyway.
Whose bright idea was this?
This gassing or questioning of tables.
This grief that you give me when you pull me by the hair,
the hushedness accelerating with each new tear
or tear.
These flowers may know they're heading nowhere.
These whitened teeth may have their careless stones.
But I don't have the desire
to explain any of this shit in terms that
your number-crunched disdain wouldn't disdain.
And do not call me,
I may be on hold.
And do not look down on me,
I've grown taller from grasping at the weeds
or weeds.
Friday, October 03, 2003
all day email and cantaloupe tomatoes
Yell produces white food. Hands
win fears detail from court.
Finding natural a lot better
than directly biting dogs from the
center of the seam down to the Petri
Cherney. The contents held under
the demon summer language are
only tired of his fat ass
and his fat formulas
for these would be
cliches in anyone else's fat hands
(take a photo).
Yell produces white food. Hands
win fears detail from court.
Finding natural a lot better
than directly biting dogs from the
center of the seam down to the Petri
Cherney. The contents held under
the demon summer language are
only tired of his fat ass
and his fat formulas
for these would be
cliches in anyone else's fat hands
(take a photo).
Thursday, October 02, 2003
Our minds are more than the retarded argument of delay
We are never selfish,
though I admit that I have learned much in your life
while their bones have not.
Many detergents aspire to lily-of-the-valley mortality.
This time I do not.
Not now. Not since.
Because my child’s holy smile turns out to have been the flu,
not the Throne of Thor.
You're hating me now, I canned laughter it.
But poetry stands in opposition to hate.
Pick a poem, any poem, and find me the hate.
It's not there.
Now love, love is something else.
Outside, across the blue-eyed elastic towns, comes this question:
Still, I must say this to you:
Odor has left its memory.
And hunger allows no shopping.
Use your rebate to help!
Is that a question?
Speak so we owe peaks.
We have a country made of words
bleached against another sky
beaming down almost unimaginable talons.
We are never selfish,
though I admit that I have learned much in your life
while their bones have not.
Many detergents aspire to lily-of-the-valley mortality.
This time I do not.
Not now. Not since.
Because my child’s holy smile turns out to have been the flu,
not the Throne of Thor.
You're hating me now, I canned laughter it.
But poetry stands in opposition to hate.
Pick a poem, any poem, and find me the hate.
It's not there.
Now love, love is something else.
Outside, across the blue-eyed elastic towns, comes this question:
Still, I must say this to you:
Odor has left its memory.
And hunger allows no shopping.
Use your rebate to help!
Is that a question?
Speak so we owe peaks.
We have a country made of words
bleached against another sky
beaming down almost unimaginable talons.
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